Rebuilding the Portfolio: DH for Art Historians is designed for 20 art historians, from different stages of their careers and from varied backgrounds, including faculty, curators, art librarians, and archivists who are eager to explore the digital turn in the humanities.
We seek applications from individuals who have had very limited or no training in using digital methods and tools, or in computing.
Take a peek at our proposed schedule, and apply today. Applications will be open until March 15, 2014.
Position announcement: Wikipedia Affiliate, Roy Rosenzweig Center for History and New Media
In conjunction with The Wikipedia Library project, the Roy Rosenzweig Center for History and New Media (RRCHNM) at George Mason University is seeking applicants for a “Wikipedia Affiliate.” This is an unpaid, year-long, remote research position beginning March 1, 2014 and ending February 28, 2015 that entitles the affiliate to full library privileges at George Mason University, including proxied access to all online materials to which the GMU Libraries subscribe: more than 400 databases, thousands of scholarly journals and mainstream periodicals, and hundreds of ebooks. The position is designed to give research library access to a Wikipedia editor who does not currently have such access or who has only limited access to scholarly resources: the purpose of the position is to help improve Wikipedia’s reliability and accuracy by providing Wikipedia editors with access to the best scholarly information resources while providing a model for other universities to do likewise.
The affiliate will be an experienced Wikipedia editor with at least one year of regular activity contributing to Wikipedia on historical topics in any field, region, or period. The affiliate will also be a thorough researcher who is committed to improving Wikipedia (more…)
Plans are taking shape for the upcoming conference to mark the 20th anniversary of the Roy Rosenzweig Center for History and New Media, November 14-15, 2014. The conference will reflect the spirit of THATCamp: the first day will be spent hacking the history of RRCHNM, working collectively to tell the story of how projects were created and what they tell us about digital history’s past. The second day will feature short talks by invited guests, each followed by extended discussion, and unconference-style breakout sessions.
We’re thrilled that Edward Ayers, Brett Bobley, and Bethany Nowviskie have agreed to share their thoughts on the future of digital humanities centers, while Tim Hitchcock, William Thomas, Kathryn Tomasek and a collective of GMU graduate students will offer visions of the future of digital history. We’re inviting all the fantastic folks who have worked with and at RRCHNM over the past two decades to celebrate with us.
You only turn 20 once, and we want to do this right. So, in 2014 we will focus on the 20th anniversary events. This means a hiatus for THATCamp Prime in 2014, but we’re already talking about ideas for 2015.
The 20th anniversary event is free and registration will open in early (more…)
Happy Anniversary, PressForward! Funded by the Alfred P. Sloan foundation and based at George Mason University’s Roy Rosenzweig Center for History and New Media, the PressForward project was born two years ago with a mission to showcase the varied, dynamic, and provocative digital humanities scholarship published on the open web. To do this, the project has developed and nurtured two publications: Digital Humanities Now (DHNow) and the Journal of Digital Humanities (JDH). Those periodicals work hand in hand to surface gray literature and, at the same time, act as an experiment in open access publication. DHNow, developed four years ago and then relaunched as part of the PressForward initiative,is now published twice a week. Three times a year, JDH publishes a volume of articles culled from the material surfaced through DHNow, conferences, and other little-noticed online sources. In addition, PressForward has been working to develop the tools necessary to disseminate literature that benefits digital humanities communities. We’ve worked to put those tools in the hands of groups like dh+lib, and watched with excitement as their publications grew.
The result of these efforts is a community of participants and practitioners that offer their time and talents each and every week. JDH and (more…)
On Thursday October 10, the Roy Rosenzweig Center for History and New Media and George Mason University welcomed DH’ers from around the globe to THATCamp Leadership 2013. For those of you who don’t know, THATCamp (The Humanities and Technology Camp) is an unconference series which was first held at George Mason in 2008. Since then, regional THATCamps have sprung up across the country and across several continents as well, hosted by universities or local DH communities.
THATCamp Leadership, generously sponsored by the Andrew W. Mellon Foundation, was quite different from a typical THATCamp. The invitation-only event partnered experienced THATCamp facilitators with academic and institutional leaders to discuss the future of THATCamp and the Digital Humanities generally. As a result, there were very few tech-centered sessions. Instead, broader session titles like “Building DH Locally,” “Sustaining and Altering THATCamp,” and “Digital Humanities and Online Education” predominated.
In the spirit of collaboration, THATCamp Leadership 2013 debuted a cooperative “notepad” space for recording discussions. Using participad, a WordPress plugin, the DH fellows at CHNM created notepads for each sessions and served as dedicated note-takers. Participants could view and edit their sessions notepads, or view another session’s notepad in order to follow discussions (more…)
George Mason University is a public research university located 14 miles from Washington, D.C., with approximately 30,000 students. The Department of History and Art History has a strong record of scholarly research and is home to the award-winning Roy Rosenzweig Center for History and New Media. The department also has the largest M.A. program in the country and a nationally ranked Ph.D. program.
Special Instructions to Applicants
For full consideration, please apply for position number F5343z at http://jobs.gmu.edu/. Complete the online faculty application and upload a letter of interest, CV, and a writing sample and/or a link to a digital project. Letters of reference should be sent separately to Professor Paula Petrik, Chair, Digital History Search, Department of History and Art History, George Mason University, MSN 3G1, 4400 University Drive, (more…)
This semester the second year Digital History Fellows are sticking with one of the three divisions at RRCHNM (Research, Education, Public Projects) and participating in selected projects within those divisions. Some of us are coming in at the start of a new set of projects, while others are joining projects already in progress. There’s a certain benefit, I think, to being able to join a project in mid-flow and provide both an extra pair of hands and the type of feedback that comes from a fresh look at ongoing processes. By essentially acting as full-time floaters, we can also lend work hours and a different set of opinions to changes already set in motion,
I’ve been assigned to the Research Division this semester, directed by Sean Takats, and am currently spending the majority of my time working under Joan Fragaszy Troyano on the PressForward project. This project received an influx of graduate research assistants this semester, most of whom were, like myself, new to the division and to PressForward, and needed to be introduced to the way the different parts of the project are managed, particularly the weekly management of Digital Humanities Now.
How can technology help teachers to teach historical and critical thinking? Getting students to think critically about historical events rather than just memorizing the facts is challenging, but digital technology can help. With so many new digital tools being developed each year, teachers are eager for resources to help locate free, quality tools that can help students become better critical thinkers and historians.
One of the RRCHNM’s projects, Teachinghistory.org, has a section called Digital Classroom devoted to providing tips and resources for incorporating digital tools into the classroom. The introductory video for Digital Classroom explains how digital tools can engage students and help them to think critically about the past. The goal of Digital Classroom is to provide teachers with resources to help them incorporate digital technology in their classroom and to provide examples of how to enhance learning by using technology in the classroom.
To help teachers find free, digital tools for use in social studies classrooms, Digital Classroom includes a collection of digital tool reviews, called Tech for Teachers. Over the last week the Digital History Fellows have been researching and writing reviews for this section and we’ve been thinking a lot about what kinds of digital tools are (more…)
In a recent conversation, a friend inquired about the projects on which I am working here at the RRCHNM. I explained that I am currently assigned to a project about the War of 1812 on behalf of the National Park Service, and described the basic elements of the project. “I understand the project,” she replied, “but what do you actually do?”
Our exchange illuminated an issue that seems obvious but is rarely addressed: the average American is told little about the work that goes into producing public history or heritage projects. Although such projects and exhibits dot the social landscape in parks, museums, galleries, libraries, books, and the web, the processes of preserving, interpreting, and presenting the past are largely hidden from users. In response to these observations, I’d like to describe some of work done by researchers to produce public history projects.
Each project taken on by the RRCHNM staff has unique characteristics that shape the processes by which it is built, but some projects inevitably require similar constructions. The September 11 Digital Archive, the Hurricane Digital Memory Bank, and other projects all required a platform to host large collections of digital materials; as a result, (more…)
The Getty Foundation recently awarded the Roy Rosenzweig Center for History and New Media a grant to organize and run a digital humanities summer institute for art historians in 2014. “Digital Humanities for Art Historians” will target art historians, from graduate students, to mid-career and senior scholars, from varied backgrounds, including faculty, curators, and established art librarians and archivists who are eager to move more deeply into the digital turn in the humanities.
Recognizing a significant need in this area, the Getty Foundation is sponsoring this project as part of a pilot initiative to support training workshops in digital art history. The Getty Foundation fulfills the philanthropic mission of the Getty Trust by supporting individuals and institutions committed to advancing the greater understanding and preservation of the visual arts in Los Angeles and throughout the world.
Project Co-Directors, Sheila Brennan and Sharon Leon are thrilled to be working with the Getty Foundation for the first time through this initiative and to be addressing issues specific to art historians together with fellow members of GMU’s History and Art History Department.
Applications for this summer institute will be announced in early 2014. Watch the RRCHNM blog, @chnm on Twitter, and major art history-related listservs (more…)