<?xml version="1.0" encoding="utf-8" standalone="yes"?><rss version="2.0" xmlns:atom="http://www.w3.org/2005/Atom"><channel><title>Art History on Roy Rosenzweig Center for History and New Media</title><link>https://rrchnm.org/tags/art-history/</link><description>Recent content in Art History on Roy Rosenzweig Center for History and New Media</description><generator>Hugo</generator><language>en-us</language><lastBuildDate>Thu, 18 Mar 2021 12:18:23 +0000</lastBuildDate><atom:link href="https://rrchnm.org/tags/art-history/index.xml" rel="self" type="application/rss+xml"/><item><title>Material Histories of the Indian Ocean World, 1500-Present</title><link>https://rrchnm.org/blog/material-histories-of-the-indian-ocean-world-1500-present/</link><pubDate>Thu, 18 Mar 2021 12:18:22 +0000</pubDate><guid>https://rrchnm.org/blog/material-histories-of-the-indian-ocean-world-1500-present/</guid><description>&lt;p&gt;Join RRCHNM for an exciting new series, organized and hosted by Dr. Deepthi Murali, on &amp;ldquo;&lt;a href="https://iowmaterialhistorieswebinar.org/s/Material-Histories/page/home"&gt;Material Histories of the Indian Ocean World, 1500-Present&lt;/a&gt;.&amp;rdquo;&lt;/p&gt;
&lt;p&gt;The&lt;em&gt;Material Histories of the Indian Ocean World&lt;/em&gt;webinar brings together scholars from different disciplines that work primarily on the study of artistic materials produced, circulated, and used in and through the Indian Ocean World (IOW) post the advent of European mercantile powers in this part of the world. This webinar seeks to look at the study of transcultural and transoceanic objects, architecture, and material culture through an interdisciplinary perspective. Using their expertise in different types of materials, regions, and methdological questions related to the IOW, participants will discuss their own research experiences and methdological approaches while also providing insight into the challenges of such research. The series runs from March 24, 2021 - April 22, 2021.&lt;/p&gt;</description></item><item><title>Murali's "Visualizing the Interwoven World" Receives Grants from AIIS</title><link>https://rrchnm.org/blog/muralis-visualizing-the-interwoven-world-receives-grants-from-aiis/</link><pubDate>Fri, 18 Dec 2020 13:32:51 +0000</pubDate><guid>https://rrchnm.org/blog/muralis-visualizing-the-interwoven-world-receives-grants-from-aiis/</guid><description>&lt;p&gt;Dr. &lt;a href="http://www.deepthimurali.com"&gt;Deepthi Murali&lt;/a&gt; has received a Digital India Learning Scholarship grant from the &lt;a href="https://www.indiastudies.org"&gt;American Institute of Indian Studies&lt;/a&gt; in support of a new digital art history project. &lt;em&gt;Visualizing the Interwoven World of Eighteenth-Century Indian Textiles&lt;/em&gt; will collate and analyze more than five hundred images and associated metadata of South Indian textiles from publicly accessible museum collections to produce a searchable aggregated database on these textiles, the first of its kind. The project will also publish interpretive results on patterns of use, circulation routes of textiles and merchant communities, and centers of production. Digital output will include data visualization in the form of interactive maps, visual charts, blogs, and audio recordings. This is a pilot project for a larger born-digital project on the material histories of Indian Ocean World with a focus on South Asia. The work for this project will take place over 2020 and 2021.
After receiving her PhD in Art History from the University of Illinois at Chicago, Dr. Murali joined RRCHNM as a postdoc. She is an expert on the history of the art in India, and she has contributed to a number of digital art history and digital history projects at RRCHNM and other institutions, including World History Commons, the Masala History Podcast, the Humanities Without Walls Consortium Podcast, and the Consolation Prize Podcast.



 

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 Hanging Depicting a European Conflict in South India, before 1763, southeast India (for the British market), Cotton, plain weave (drawn and painted, mordant and resist dyed), 296.5x261.6cm, The Metropolitan Museum of Art (accession no. 2014.88).
 
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