This is the text of my presentation in the session on the future of digital humanities centers, on day two of RRCHNM20. November 15, 2014. I wasn’t originally slated to be one of the speakers, but by the time it became clear that one person we had invited could not attend, I realized that I should be speaking, that people wanted to hear from me about the future of RRCHNM. Accordingly, I departed from the brief and spoke not about DH centers in general, but instead about the future of the center whose anniversary we marked that day. We will soon be posting video recordings of both this session, and the afternoon session on the future of digital history. In the meantime, Bethany Nowviskie, one of the other speakers has also posted her talk online: “speculative computing and the centers to come.”
The twentieth anniversary of the Roy Rosenzweig Center for History and New Media finds it in a period of transition. A little more than a year ago, both Dan Cohen, the director, and Tom Scheinfeldt, the managing director, whose names appear in the credits of at least twenty-six Center projects, left to pursue new opportunities. The departure of visionary leaders has generally been fatal for digital humanities centers. But (more…)
The Digital Harlem website presents information, drawn from legal records, newspapers and other archival and published sources, about everyday life in New York City’s Harlem neighborhood in the years 1915-1930.
Digital Harlem is an element of the project, Black Metropolis: Harlem, 1915-1930, which was supported by an Australian Research Council Discovery Grant. Unlike most studies of Harlem in the early twentieth century, this project focuses not on black artists and the black middle class, but on the lives of ordinary African New Yorkers. It does so primarily by using legal records, which encompass not only hardened criminals but also first offenders, ordinary residents acting out of desperation, poverty or anger, and which reveal all manner of things that would not ordinarily be labeled ‘criminal’– street life, black language, music, family life – as well as evidence of the role of gambling, violence and confidence men in the black community.
The Roy Rosenzweig Fellowship for Innovation (more…)
On Wednesday, May 13th at 7:00 p.m., the Rosenzweig Forum on Technology and the Humanities and the Washington Semantic Web Group will host the a forum on Social Networking and the Semantic web in the George Mason University Johnson Center Cinema. The forum will host four speakers, Mills Davis, Andy Roth, Mike Petit, and Dan Cohen, who will share their projects and lead a group discussion at the end of the evening. Mills Davis of Project10X will showcase new developments in social networking and semantic technologies within government and private industry. Andy Roth, Chief Quality Officer at AdaptiveBlue, will discuss Glue, a browser add-on that allows you to find new things based on what your friends like. Mike Petit will present Amplify, an open platform that mimics human understanding of content and offers a broad range of unique, and previously unavailable, data to SemWeb practitioners. Finally, Dan Cohen of the Center for History and New Media will discuss new social and collaborative features for Zotero, the free, easy-to-use Firefox extension which helps collect, manage, cite and share your research sources.
More information, including speaker bios, is available at the Washington Semantic Web Meet-up forum website.
In 2009, George Mason University and the American Historical Association will offer the first Roy Rosenzweig Fellowship for Innovation in Digital History. This award was developed by friends and colleagues of Roy Rosenzweig (1950–2007), Mark and Barbara Fried Professor of History and New Media at George Mason University, to honor his life and work as a pioneer in the field of digital history.
This nonresidential fellowship will be awarded annually to honor and support work on an innovative and freely available new media project, and in particular for work that reflects thoughtful, critical, and rigorous engagement with technology and the practice of history. The fellowship will be conferred on a project that is either in a late stage of development or which has been launched in the past year but is still in need of further improvements. The fellow(s) will be expected to apply awarded funds toward the advancement of the project goals during the fellowship year.
In a 1-2 page narrative, entries should provide a method of access to the project (e.g., web site address, software download), indicate the institutions and individuals involved with the project, and describe the project’s goals, functionality, intended audience, and significance. A short budget statement on (more…)